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One day, driving aimlessly around the outskirts of town after a trivial domestic quarrel, a writer named Tomas accidentally hits and kills a child. Will he be able to move on?

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Every Thing Will Be Fine movie full length review - ...or will it?

Wim Winders has created so many fine films ? Wings of Desire, The Salt of the Earth, Buena Vista Social Club, Pina, Paris Texas, etc ? that it is a pleasure to watch his unique cinematic language again.

Based on a story written for the screen by Bjørn Olaf Johannessen EVERY THING WILL BE FINE is a series of moments of reflection about the impact of an incident on the lives of characters over the course of around twelve years. It is not an action movie, it is instead a film of contemplation that digs deeply into the human psyches of all the characters in the story ? and in many ways shows that 'every thing will not be fine after all.

Filmed in Montréal, Québec, Canada, the film opens during the frozen winter that surrounds a young writer Tomas Edan (James Franco) living in a tiny cabin attempting to come up with ideas for his third novel. He is at odds with his girlfriend Sara (Rachel McAdams) and while driving aimlessly after a quarrel her, he accidentally runs over and kills a child. The one child he sees is basically unharmed and he walks the child Christopher (Jack Fulton) home to his mother Kate (Charlotte Gainsbourg) who, while happy to see Christopher, runs to the scene of the accident to find her other son is under Tomas' car, dead. The accident and its aftermath deeply traumatizes Tomas. Over the next 12 years, he struggles to make sense of what happened and continue on with life, becoming a very successful writer who marries Ann (Marie-Josée Croze), but when he looks in the mirror, he sees a murderer. Christopher (Robert Naylor) confronts Tomas about the accident years later and we are privy to see how even at that stage in Tomas' life the incident has bored into his soul.

The film quite successfully shares the trauma an accident can have on all who are connected with the perpetrator ? but none more damaged that the man responsible. The photography, both in winter and all seasons, is by Benoît Debie and the luminous musical score is by Alexandre Desplat. The cast is first class with James Franco probing deeply into a character so damaged it is difficult to imagine. Not a film for those seeking 'entertainment', but for those who enjoy films of beauty and philosophy, this Winders wonder is richly rewarding.