MovieReam » Free movies » Kumiko, the Treasure Hunter (2015)

Now streaming Kumiko, the Treasure Hunter and you are on MovieReam

Please wait for 3 seconds while MovieReam loads Kumiko, the Treasure Hunter stream.

Whenever Kumiko, the Treasure Hunter stream is frozen or not working properly, try a different web browser, hit play and then hit pause, let it buffer for 3-5 minutes and then play again.
Watch movie Watch Trailer

Watch Kumiko, the Treasure Hunter 2015 online free streaming

In the massive city of Tokyo, Kumiko, a twenty-nine year old, lives in utter solitude. She works a dreadful, dead-end job under an awful boss, is intimidated by her well-off peers, and nagged incessantly by her overbearing mother who is exasperated by the fact that her daughter is not married or even in a relationship. The only joys in her life come from a grainy VHS tape – an American film in which a man buries a satchel of money in the snowy Midwestern plains - and her beloved pet rabbit, Bunzo. Kumiko is somehow convinced that this treasure is real, and obsesses over its discovery. With a hand-stitched treasure map and a quixotic spirit, Kumiko embarks on an incredible journey over the Pacific and through the frozen Minnesota wilderness to uncover a purported fortune.

MovieReam would love to know if you liked Kumiko, the Treasure Hunter (2015)

comments powered by Disqus

Kumiko, the Treasure Hunter movie full length review - ne must give credit for Zellner brothers' courage and ingenuity to make such a far-fetched fable leave an indelible mark in viewer's mind

This indie feature opens with a blurred VHS tape showing - the film is based on a true story, which actually is from Coen brothers' FARGO (1996, 9/10), has its implicit double

meaning, because the film itself is a reinterpretation of a real-life event about our centre character Kumiko (Kikuchi), a 29-year-old office lady in Tokyo, who is hooked by FARGO's scenes where a briefcase of cash is stashed in the snow land by Steve Buscemi's Carl Showalter, firmly believes it is her destiny to retrieve the money and embarks on a journey to USA.

With such a tall tale as the precondition, one naturally will doubt Kumiko's sanity, the first half is about her life in Tokyo, stuck in a dead-end job, with her mother keeps nagging on the phone about her unfit situation of being single and urging her to move back living with her, Kumiko is an introvert loner, which even in Japan, she is very jarring with the reality, her only friend is a pet bunny named Bunzo, (the cutest bunny I've ever seen and a great animal actor too!). Her life is hopeless apart from her obsession of FARGO's hidden treasure. As we acquaint with her miserable quandary, her behaviour furthermore nonpluses us, she insists on getting the map of Minnesota on an atlas so as to steals it in the library, as for any sane person, it is quite easy to make a photocopy instead. This interlude offers a clear statement on her saneness, so when she embezzles her company's credit card and boards the plane for her quest which starts the second half (being a Chinese, I'm super jealous of Japanese can acquire a USA visa so effortlessly), we can sense it will not end well for her, although the parting sequences with Bunzo is so heartbreaking to watch, at one moment, I even thought she would throw it in front of an approaching metro.

Yet, the hospitality of Minnesota citizens (a patent opposite of Tokyo's frigid person-to- person aura) is overwhelmingly cordial to a foreigner who can only utter simple English and doesn't even bring enough clothes for the freezing cold weather, she encounters a kind older woman (Venard), a helpful sergeant (director David Zellner himself), a deaf taxi driver (Hall) who doesn't even chase her when she escapes without paying the fare, through her one-track mind journey, but runs away whenever they deny her pipe dream, but not enough kindness can save her suicidal trek. Wearing a tacky quill walking aimlessly to her doom, Kumiko's dedication is unerring because the reality is too cruel for her to wake up and face the music, so she must go to Fargo, to collect the money and start anew (only there is no place for her in this vast world), thus, Zellner fabricates a dreamlike finale where Kumiko not only finds what she is looking for and reunites with Bunzo as well. But it is not a gratifying happy ending since it is an impossible mission under that absurd context, on the contrary, through which, the fancy wish-fulfilment exudes much more visceral pathos, as we all can access a bleak mental picture of Kumiko's fate.

Directed by David Zellner and written with her brother Nathan, this tale of woe has done a commendable job to foreground the cultural disparity within its minimalistic modus operandi apart from establishing itself as a deterrent of how loneliness can eventually erode one's mentality. Rinko Kikuchi, finally lands another great role stateside that can match her Oscar-nominated performance in BABEL (2006, 8/10), still not relying on line-delivery, her body language and facial expression is wondrously tapped. Certainly, the film can be panned for its patience-testing spuriousness, and the calculated characterisation which is shopworn in indie shock-drama, but one must give credit for Zellner brothers' courage and ingenuity to, say the very least, make such a far-fetched fable leave an indelible mark in viewer's mind.