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A futuristic love story set in a world where emotions have been eradicated.

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Equals movie full length review - 6/10

Set in a dystopian future world where emotions have been suppressed in the same measure of all other diseases, "Equals" follows the stories of Silas (Nicholas Hoult), an illustrator, and Nia (Kristen Stewart) a writer and coworker.

They discover that each of them is affected by what is called SOS, a diseases by which you are caught back into emotions, they secretly fall in love and have to cope together and figure out what to do in a world that would otherwise discriminate and incarcerate them.

Drake Doremus is the main reason to be interested in this film since he always brings to the table something worthy of note both cinematically and emotionally and in best case scenarios he gives us brilliantly unique pieces like "Like Crazy". "Equals" doesn't quite live up to neither its filmmakers nor its premise because of a thematic dryness, yet it still bears a unique and occasionally touching voice that makes it worthy a what might be a heavy handed yet enjoyable watch.

Right off the bat was is absolutely striking is the way in which Doremus and his visual team manage to make this world appear, especially looking at such a budget. Other than the fact that they convey a lot visually thanks to smart design choices, with videos explaining the world in the background in a way that almost always feels coherent, what is even more remarkable is the beauty and scale of it all and how it effectively reflects on the characters. Contrary to many dystopian pictures of recent times, I didn't find myself putting into discussion this world and rather being sucked into it and understanding its logic.

Unfortunately the script does take one too many wild turns, especially retracing "Romeo and Juliet" in a way that feels totally forced and unnecessary, bringing down the whole film with a third act that totally misses the point. The plot explodes in too many directions and whilst you never loose sight of the world you're in, the story just doesn't manage to get at a point where any kind of statement or thematic subtext manage to emerge. The characters stop feeling genuine and it all just becomes a plot mess.

On the other hand the style implemented in the cinematography is something really pleasant. The visual grammar established might be a little too on the nose, but for the majority of the film is works brilliantly in bringing to life the contrast of thought and emotion with total emptiness and the ways in which you get to experience and get close to the characters are truly effective and surprising. The sensual moments are most definitely the highlight of the film and bring you into the drama in a very powerful way. They are also the highlights of the performances from both leads who give good performances, in contrast to the majority of their costars who admittedly aren't give too much to do and don't shine in their roles. Not even the great Guy Pearce walks away with anything worthy of note, sadly.

Going back to the thematic content of the film I believe that is where the problem lies. I think that the similarities to "Like Crazy" are a little too obvious and they don't need to be there. What is a masterfully crafted film on a technical side is severely undermined by a total absence of anything consistent to say or prove in the third act and in a film where everything is setup to be commentary to society, the failure to conclude anything about it is unfortunately the film's curse.

Still, "Equals" proves to be one of the more worthy dystopian films of recent years, especially because of the way it manages to set up and transport you in its world, even if the pay off will almost prove to be absent.